Furniture Design by Leolux
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Formi, 2005 design: Frans Schrofer “Formidable” was the judgement given to Frans Schrofer’s first version of this rotating rocking armchair in 2002. The organic design was anything but conventional, so that Formi became “a little bit of eternity” and, with that, took its place in the world of interior design. Three years after the introduction of Formi, Leolux presents the Phase 2. The organic form and the rotating-rocking function have stayed the same but, thanks to little adjustments in the back, the seat has become even more comfortable. Small details such as the “flat band” in the seat provide a visual separation and contribute to an even better balance of style. Formi has been updated to “level 2006” with this Phase 2 and is even more “formidable” than its predecessor. The Formi remains the rotating-rocking armchair from Leolux. 
Gisa, 2005. Design: Jane Worthington Inspiration from nature leads to soft forms that envelop people. The Gisa swan is a compact armchair, with natural grace and a neck that turns and bends to serve as a backrest. 
Excalibur, 1990. Design: Jan Armgardt Excalibur’s organic forms surround you with a sublime comfort. The backrest, which is moulded to the human body, envelops the connoisseur. Furthermore, Excalibur is a joy to behold. In designing this armchair, Jan Armgardt was years ahead of the developments which were to affect furniture design: soft forms and flowing lines bear witness to so much character that each product remains an individual creation. Excalibur has become one of Leolux’s legends. 
Sjamaan, 1998. Design: Hugo de Ruiter As bewitching as the Siberian wizard after whom he is named! Just like a small wizard from Leolux, the Sjamaan armchair lets your wishes come true. Beautifully designed by Hugo de Ruiter and comprising several surprising aspects. The seat depth of this little armchair is adjustable, so that you can opt for both a deep or shallow seat. Furthermore, this little armchair is available with feet in several heights. This way, Sjamaan can be easily adapted for large or small users. 
Kilenge closed front, 2001. Design: Hugo de Zeeuw / Scooter & Partners With design, the art of omission allows great attention to be paid to the proportions and the details. A curved back, rounded arms and a front of the Kilenge armchairs follow perfectly the contours of the seated person. Owing to the special split in the back you can sit right back without the back’s upholstery being pulled uncomfortably taut. Kilenge provides proof that Leolux has command of this art. Via…Leolux
Tags: armchair, armchair design, chair design, furniture design, interior design, seat design
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